The Muse
The sheer variety of symbols and artefacts in use across the ages and geographies does not necessarily point to a multitude of assumptions and values from which they spring. The study of mythology and folklore then, is a reverse approach to anthropology. This blog is dedicated to my favourite symbols, tales and artefacts - both ancient and contemporary.
Tuesday, August 31, 2010
What would you wish for?
Monday, August 16, 2010
Rituals and Observances
I'm not sure I can quote health reasons any more. Admittedly, fasts at least aren't much fun either.
I am not religious enough to be motivated simply by the spiritual and other benefits promised by associated legends. Legends are merely entertaining. And I don't value entertainment above sleep and nutrition.
I am not a masochist. I am a devotee. I believe that fasting will strengthen my will and my body. And by improving through my own actions what I've received from Him, I am sure I will please the object of my devotion.
I write this with the prayer that my well-wishers are comforted, and that I may succeed in my objectives.
Criminal Proceedings
He who has shown courage in confession must warrant repayment by compassion.
Stir not the hornet's nest, in search for justice. For rest assured that thou shalt receive justice in full. For he who points a finger at another will find three pointed back at himself.
Tuesday, May 18, 2010
Imhotep & Mithra
Thursday, April 29, 2010
Tuesday, April 20, 2010
The Legend of Ram... The Big Brother
Friday, March 26, 2010
Mors Mortis
Classification
I. Incorporeals – Ghosts, Spirits, Poltergeists, Banshees, etc.
II. Reanimated Corpses – Zombies, Mummies, Inferi, etc.
III. Modified Corpses – Vampires, Lycanthropes, Dementors, etc.
Vampires
Blood
Evil
Eternity
Sunday, March 7, 2010
How Indra became king
Saturday, February 20, 2010
Mid-term Anthology
Trickles swiftly by,
I sit by myself waiting
For my time to die.
Roofie tainted apple pie,
The merciful YHWH hath looked my way,
Now my days go happily by.
Sissy knights & brazen dames,
The poetess me is made undead,
By this topsy-turvy chivalry.
And muffles his gay song.
The season I try to keep amused,
But I can’t hold on long.
Rarely appear true,
But lack of paleness scarce affects,
The richness of their hue.
Doth many fancies make,
A halter thus innocuous,
Appears as a snake.
Fear inspires reverence,
Reverence desire,
All hope of seeing light,
Is extinguished by such fire.
Alas on such a fateful day,
Although my shafts had hit him true,
They’d wounded him the wrong way.
The most prosaic must resort to rhyme,
When the mind cares not for the mores of the gross,
And the soul is lost in depths sublime.
Don't you put my powers to test,
For how may anyone well-disposed,
Refuse thy charms and make protest?
I really need to leave,
I can't help but writing,
In such quality.
My prose is dying,
My verse doggerel,
And yet I can't stop writing,
Such dense drivel.
My eyes are drooping,
My hand is disarrayed,
But I've got to keep writing,
Or I'll be dismayed.
At the sight of pleasure, scowls,
How may I faultless my soul placate,
And reconcile to my poverty.
Burns not the actor so lit,
Shadows cross my life.
flanked by comrades.
Armed by notions several
they fight for grades.
Inanity flows as ink
Such is the sorry result
When I write before I think
Don't you bogey that joint,
For the law of pleading is misleading,
And will all your pleas ignore.
Face cow-dung
Big promises and bigger buts
Will be hung
Chills me to my funny bones.
I bare my teeth in mirth,
To conceal my slaked thirst.
Opens sore wounds.
Yet even lowly salt
Remains to them elusive.
Tuesday, January 26, 2010
The Legend of Ram... The Khiladi
The story of Ram, like one luminary rightly pointed out, is themed after what later came to be known as the archetypal theory i.e. the fight between Good and Evil. But long before the story existed, or the character itself, there was just a name - that of Ram.
The first lesson in Sanskrit grammar is of noun declension. And the first masculine noun to be traditionally taught is the word Raama, and the first feminine noun, Ramaa (Another of Sita's names). The reason is far from religious. Both words come from the root Ram (pronounced rum) which means 'to play, or to have fun'. The noun form therefore means 'player'. The idea is, that knowledge of grammar is the key to be a player of words, hence the choice of the first noun.
How this secular and seemingly innocuous word took on the power to invoke both devotion and hatred, hatred strong enough to threaten our noble republic is what I intend to discuss today.
The religious system that goes by the name of Hinduism today, is what a theologist would classify as 'polytheistic', i.e. worshiping multiple divine entities, which are parts or representatives of a single Almighty being/consciousness. But history is proof, however, that these entities have always vied for dominance over public consciousness, in the form of cults and cult wars.
Most ancient polytheistic religions, like the Egyptian for instance, were wiped out largely because of the weaknesses induced by constant warring between the cults. And in the same fashion, Hinduism too was once threatened.
The Hindu religion was (and still is) composed of numerous cults, of which finally six had dominated (one exclusive to the south of India). Four of the deities involved were reconciled, by giving them the status of family, i.e. Shiva, Shakti and their sons Ganesha and Karthikeya. The Solar Cult reconciled with all five cults. This resulted in the formation of essentially two remaining factions that clamoured for domination - the Shaiva and the Vaishnava. These cults fought possibly the bloodiest of the battles ever fought in the name of religion, easily surpassing the eight crusades combined. It is in these conditions that the Name was born.
Now the vaishnavas' chief and most powerful mantra was the asthakshari "Om namo naaraayanaaya", of which the essential, or original syllable was the syllable "raa". The shaiva equivalent was the panchakshari "Om namah shivaya", of which the original syllable was the anusvara sound "m". Pronouncing these powerful sounds together resulted in the word "Raama" which was already attributed the meaning of 'player'. This was the most potent discovery in Indian history and theology. For now a phonetic form was discovered that contained not only the powers of both the dominating schools of spirituality, but also gave the image of an Almighty who was "the player", and whose creation were all pawns.
Valmiki's Ramayana was indeed written with the purpose of unifying the cults into a single faith system. It starts with the story of Valmiki's reformation, aided by the name "Raama", clearly establishing the precedence of the name to the character. Although the character himself was an avatara of Vishnu (then the dominating deity), he is shown throughout his journey as a worshiper of Shiva and his family, and as a scion of the Solar clan. Later in the epic, we come across an instance where Hanuman uses the name of Raama to repel the arrows of Raama himself, proving the powers of the name to be superior to the avatara himself.
The years passed, and the war was by no means over, although no longer as physically manifest. In time Vaishnavism took the upper hand, and the name which was previously neutral was firmly associated with Naaraayana. But its powers were never undermined.
In the Vishnusahasranaama (narrated by Bheeshma in the Mahabharata), Shiva responds to Parvati's query by saying "the name Raama equals and exceeds the power of all of Vishnu's thousand names, and by chanting this name alone may humans derive the benefits of reciting the whole Vishnusahasranama"
Valmiki's intentions in naming his hero "khiladi" however, wasn't as religious as it was spiritual. His inherent message seemed to be "you are not pawns of any power, but players yourselves - remember your powers, and live by them".
The idea was, that the Lord has created the universe to be a self sustaining system, with its own laws. It is a gameboard in which the Lord has split his attentions into moving the various pawns, our bodies & characters, giving them sentience. But, engrossed in the gameplay, we lose the realization that we are not beings of the gameboard, but the player Himself. We, all of us, are the Lord descended into the gameplay. We are all avatars. But this loss of memory makes us feel that we are the characters, the pawns. The intention of Valmiki was to refresh our memory, to make us realize that we're masters of the gameplay, that we're responsible for our destinies.
Raama, by virtue of his name itself, is a apecial avatar. He realizes that He is indeed a Khiladi. Throughout the epic, we see him making choices, with the determination and confidence that he was making his destiny. And he was constantly reminding his companions to do the same. Through his life, we are all taught how not to be manipulated by the situations, but to use them .
Today, on the day we celebrate the birth of our republic, we need this lesson more than ever. For only in acknowledging this truth and accepting the responsibilities that come with this power, can we claim to be true citizens, or even living beings.